Leonard Cohen is one of my favorite songwriters. I still remember watching videos of their live with my father when he was 10 years and as a deep voice that impressed me, their attitude and those women who were doing the vocals (the same lifetime) and appeared deeply feel what I sing. Even today, I consider it one of the masters of the twentieth century. A poet, an intellectual. Topics such as "Suzanne", "Take this walz" or "When we take Manhattan" continue to be part of my everyday soundtrack to the first of them lately, Suzanne, I have continually shown a different shape and color versions of curious sea . On the one hand, the grand dame of the chanson , Francoise Hardy. Sweetness, melody and softness. There are no more and that's enough.
Furthermore, on the preciousness valencià that Arthur Caravan, with the first disc in the street and on the basis that in his day did Toti Soler, have adapted for their first album with a piano and starts taking off the pace as coheniano brevity of the original theme and the variety lies in the taste, or so they say ...
